{"id":1505,"date":"2018-05-21T01:51:10","date_gmt":"2018-05-21T05:51:10","guid":{"rendered":"http:\/\/www.jonathanlemire.com\/?page_id=1505"},"modified":"2021-05-31T16:32:31","modified_gmt":"2021-05-31T16:32:31","slug":"la-chronique-de-jonathan-02","status":"publish","type":"page","link":"https:\/\/jonathanlemire.com\/chronique-osm\/la-chronique-de-jonathan-02\/","title":{"rendered":"La chronique de Jonathan &#8211; 02"},"content":{"rendered":"<p>\t\t\t\t<strong>Saviez-vous que\u2026<\/strong><\/p>\n<div id=\"attachment_1509\" style=\"width: 310px\" class=\"wp-caption alignleft\"><img aria-describedby=\"caption-attachment-1509\" loading=\"lazy\" class=\"wp-image-1509 size-medium\" src=\"https:\/\/jonathanlemire.com\/wp-content\/uploads\/2018\/05\/James-Lock-site-Soundonsound.com_-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/jonathanlemire.com\/wp-content\/uploads\/2018\/05\/James-Lock-site-Soundonsound.com_-300x200.jpg 300w, https:\/\/jonathanlemire.com\/wp-content\/uploads\/2018\/05\/James-Lock-site-Soundonsound.com_.jpg 700w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><p id=\"caption-attachment-1509\" class=\"wp-caption-text\">James (Jimmy) Lock (1939-2009), c\u00e9l\u00e8bre ing\u00e9nieur de son de Decca Records, \u00e0 Londres.<\/p><\/div>\n<p>Bien avant d\u2019opter pour l\u2019\u00e9glise de Saint-Eustache en tant que lieu d\u2019enregistrement, au tournant des ann\u00e9es 80, l\u2019OSM avait dans sa mire la salle Wilfrid-Pelletier, \u00e0 Montr\u00e9al. Ray Minshull, producteur chez Decca-London, g\u00e9rant de sa division classique et directeur artistique des enregistrements de l\u2019OSM \u00e0 l\u2019\u00e9poque, \u00e9tait d\u2019avis d\u2019utiliser le milieu de la salle, ce qui demandait d\u2019enlever tous les bans du parterre. Apr\u00e8s un devis technique qui engendrerait une d\u00e9pense de 25 000 $ pour un tel am\u00e9nagement, le r\u00e9put\u00e9 ing\u00e9nieur de son de Decca Records, James (alias Jimmy) Lock, d\u00e9clina cette salle.\t\t<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Saviez-vous que\u2026 Bien avant d\u2019opter pour l\u2019\u00e9glise de Saint-Eustache en tant que lieu d\u2019enregistrement, au tournant des ann\u00e9es 80, l\u2019OSM avait dans sa mire la salle Wilfrid-Pelletier, \u00e0 Montr\u00e9al. Ray Minshull, producteur chez Decca-London, g\u00e9rant de sa division classique et &hellip; <a href=\"https:\/\/jonathanlemire.com\/chronique-osm\/la-chronique-de-jonathan-02\/\">Continuer la lecture <span class=\"meta-nav\">\u00bb<\/span><\/a> <a href=\"https:\/\/jonathanlemire.com\/chronique-osm\/la-chronique-de-jonathan-02\/\">Continuer la lecture <span class=\"meta-nav\">\u00bb<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":1478,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/jonathanlemire.com\/wp-json\/wp\/v2\/pages\/1505"}],"collection":[{"href":"https:\/\/jonathanlemire.com\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/jonathanlemire.com\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/jonathanlemire.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/jonathanlemire.com\/wp-json\/wp\/v2\/comments?post=1505"}],"version-history":[{"count":0,"href":"https:\/\/jonathanlemire.com\/wp-json\/wp\/v2\/pages\/1505\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/jonathanlemire.com\/wp-json\/wp\/v2\/pages\/1478"}],"wp:attachment":[{"href":"https:\/\/jonathanlemire.com\/wp-json\/wp\/v2\/media?parent=1505"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}